This title of this post comes from a number of publications
by Pete Frame, creator and former editor of the Britain’s first rock magazine, ZigZag, that describe the
evolution of rock bands and their members. Those works were also made into two
TV series by the BBC during the 1990s. When I recently got a copy of his first
book[1],
I thought how great it would be to investigate the representation of the
historical information in a formalised way rather than his pictorial tree-like
way.
This would also be a good test of STEMMA® and its micro-history
principles since it would not be about family, and so not about genealogy in
any recognised sense. I have tried such tests before, as in the post Where
is Bendigo’s Ring? which researched a place rather than people, but this
case will make use of Group
entities to represent rock bands. Although my earlier post What
is Genealogy? generated some interest in the handling of narrative content in
conjunction with lineage, that’s only one part of STEMMA that contributes to
its goal of representing generic micro-history so I need to paint this bigger
picture.
An important thing to note here is that the structure of the
Rock Family Trees is quite different from that of genealogical family trees. They’re
even less like proper rooted trees than
the genealogical case since the same band members may be represented by
multiple connectors, both entering and leaving different bands. The main thing
they have in common is being temporally directed, i.e. showing an evolution
from past to future.
The chosen example for this post is the evolution of
Fleetwood Mac from the early 1970s. This will use information from the
aforementioned book[3]
and from Wikipedia.
Firstly, in order to make our representation applicable to
musical concepts, we need to define a custom vocabulary — something which
STEMMA is very good at. The following code is a contribution to a Dataset
header which defines namespaces, and associated prefixes, for the Group types,
Event types, and Person roles. The predefined STEMMA Property
of Role will be used to indicate the musical roles of the band members
(e.g. vocalist). The code also defines a base Event that can be reused, via
STEMMA’s inheritance mechanism, for representing changes in band membership.
Another goal of this post is to employ invisible, active linkages
between the data entities. Previous attempts at using simplified 2-D, and even
3-D, diagrams have failed to convey the rich structure and flexibility available,
so this post will allow you to click and follow the links without actually seeing
them.[4]
We’ll use the following style gallery to distinguish the different types of
reference:
Blue URL
Hyperlink
Green Person
reference
Purple Group
reference
Red Date
reference
-- Place reference
We won’t bother with place references in order to simplify
this illustration. When these references are underlined then it means there is
some action associated with that reference, such as following a URL, viewing a
date or event in a timeline, or visiting a Person or Group entity. Note that each
action is application-defined and not prescribed by the STEMMA representation.
Discovered by <PersonRef>Peter Green</PersonRef> and <PersonRef
Key='pMickFleetwood'>Mick Fleetwood</PersonRef> in a Brixton pub,
fronting a band called <GroupRef>Boilerhouse</GroupRef>. Joined <GroupRef
Key='gFleetwoodMac'>Fleetwood Mac</GroupRef> in <DateRef Value='Event(eDannyJoined).Start()'/> on guitar and vocals. Left in <DateRef Value='Event(eDannyLeft).Start()'/>. See <Link URL='http://en.wikipedia.org/wiki/Danny_Kirwan'/>.
Left <GroupRef>Savoy Brown</GroupRef> in <DateRef
Value='Event(eDaveJoined).Start()'/> to join <GroupRef
Key='gFleetwoodMac'>Fleetwood Mac</GroupRef> on vocals as a
replacement for <PersonRef Key='pDannyKirwan'>Danny Kirwan</PersonRef>.
Left <DateRef Value='Event(eDaveLeft).Start()'/>. See <Link URL='http://en.wikipedia.org/wiki/Dave_Walker'/>.
Dave Walker, DateRef Value='1977'/>.<NoteRef Mode='Endnote'><Text>
Image displayed by kind permission of Dmitry Epstein, "Interview with Dave Walker", <i>Let It Rock</i> (http://dmme.net/interviews/dwalker.html : accessed 16 May 2014).
Bob Weston (right) at a blues night jamming session at Bar
Solo, London.[7]
Born 1 November 1947 in
Plymouth. Played with a band called The Kinetic,
and supported Jimi Hendrix and Chuck Berry at concerts in France. Joined Fleetwood Mac in September
1972 on guitar and vocals as a replacement for Danny Kirwan. Left January
1974. See http://en.wikipedia.org/wiki/Bob_Weston_%28guitarist%29.
Died 3 January 2012 in London.
Played with a band called <GroupRef>The Kinetic</GroupRef>,
and supported <PersonRef>Jimi Hendrix</PersonRef> and <PersonRef>Chuck
Berry</PersonRef> at concerts in France. Joined <GroupRef
Key='gFleetwoodMac'>Fleetwood Mac</GroupRef> in <DateRef Value='Event(eBobWestonJoined).Start()'/> on guitar and vocals as a replacement for <PersonRef
Key='pDannyKirwan'>Danny Kirwan</PersonRef>. Left <DateRef Value='Event(eBobWestonLeft).Start()'/>. See <Link URL='http://en.wikipedia.org/wiki/Bob_Weston_%28guitarist%29'/>.
Bob Weston (right) at a blues night jamming session at Bar Solo,
London.<NoteRef Mode='Endnote'><Text>
Image by P metalady [GFDL (http://www.gnu.org/copyleft/fdl.html) or CC-BY-SA-3.0 (http://creativecommons.org/licenses/by-sa/3.0)], via Wikimedia Commons.
Bob Welch (left) at the Record Plant in Sausalito.[8]
Born 31 August 1945 in Los
Angeles. Joined Fleetwood Mac on
guitar and vocals in April 1971 after previous
members, Peter Green and Jeremy Spencer, had both left. Left December 1974. See http://en.wikipedia.org/wiki/Bob_Welch_%28musician%29.
Died 7 June 2012 in Nashville of self-inflicted
gunshot.
Joined <GroupRef Key='gFleetwoodMac'>Fleetwood Mac</GroupRef>
on guitar and vocals in <DateRef Value='Event(eBobJoined).Start()'/> after
previous members, <PersonRef>Peter Green</PersonRef> and <PersonRef>Jeremy
Spencer</PersonRef>, had both left. Left <DateRef Value='Event(eBobLeft).Start()'/>. See <Link URL='http://en.wikipedia.org/wiki/Bob_Welch_%28musician%29'/>.
Joined <GroupRef Key='gFleetwoodMac'>Fleetwood Mac</GroupRef>
in <DateRef Value='Event(eChristineJoined).Start()'/> on keyboards and
vocals from <GroupRef>Chicken Shack</GroupRef>. Had earlier married
existing member, <PersonRef Key='pJohnMcVie'>John McVie</PersonRef>.
See <Link URL='http://en.wikipedia.org/wiki/Christine_mcvie'/>.
John McVie, 1970, Niedersachsenhalle, Hannover, Germany.[10]
Born 26 November 1945 in
Ealing, West London.Joined Fleetwood Mac
in September 1967 on bass, a few weeks after
they were formed, after leaving John Mayall's
Bluesbreakers. See http://en.wikipedia.org/wiki/John_McVie.
Joined <GroupRef Key='gFleetwoodMac'>Fleetwood Mac</GroupRef>
in <DateRef Value='Event(eJohnJoined).Start()'/> bass, a few weeks after
they were formed, after leaving <GroupRef>John Mayall's Bluesbreakers</GroupRef>.
See <Link URL='http://en.wikipedia.org/wiki/John_McVie'/>.
Born 24 June 1947 in
Redruth, Cornwall. Founder member of Fleetwood
Mac, along with Peter Green, both formerly of John Mayall's Bluesbreakers. Performed on drums
and percussion. See http://en.wikipedia.org/wiki/Mick_Fleetwood.
<Person Key='pMickFleetwood'>
<Names>
<Sequences>
<Canonical>Michael John Kells Fleetwood</Canonical>
Founder member of <GroupRef Key='gFleetwoodMac'>Fleetwood
Mac</GroupRef>, along with <PersonRef>Peter Green</PersonRef>,
both formerly of <GroupRef>John Mayall's Bluesbreakers</GroupRef>.
Performed on drums and percussion. See <Link URL='http://en.wikipedia.org/wiki/Mick_Fleetwood'/>.
Image by Joe Bielawa (Flickr) [CC-BY-1.0 (http://creativecommons.org/licenses/by/1.0) or CC-BY-2.0 (http://creativecommons.org/licenses/by/2.0)], via Wikimedia Commons.
Joined <GroupRef Key='gFleetwoodMac'>Fleetwood Mac</GroupRef>
in <DateRef Value='Event(eStevieJoined).Start()'/> on vocals, along with <PersonRef
Key='pLindseyBuckingham'>Lindsey Buckingham</PersonRef>, after <PersonRef
Key='pBobWelch'>Bob Welch</PersonRef>’s departure. See <Link URL='http://en.wikipedia.org/wiki/Stevie_Nicks'/>.
Joined <GroupRef Key='gFleetwoodMac'>Fleetwood Mac</GroupRef>
in <DateRef Value='Event(eLindseyJoined).Start()'/> on guitar and vocals,
along with <PersonRef Key='pStevieNicks'>Stevie Nicks</PersonRef>,
after <PersonRef Key='pBobWelch'>Bob Welch</PersonRef>’s departure.
See <Link URL='http://en.wikipedia.org/wiki/Lindsey_Buckingham'/>.
Lindsey Buckingham, <DateRef Value='2009'/> at the
Birmingham NIA.<NoteRef Mode='Endnote'><Text>
Image by Tony Hisgett from Birmingham, UK (Lindsey Buckingham Uploaded by tm) [CC-BY-2.0 (http://creativecommons.org/licenses/by/2.0)], via Wikimedia Commons.
British-American rock band formed in <DateRef Value='Event(eFleetwoodMac).Start()'/> in London by <PersonRef>Peter Green</PersonRef>.
The band name was the combined surnames of <PersonRef
Key='pMickFleetwood'>Mick Fleetwood</PersonRef> and <PersonRef
Key='pJohnMcVie'>John McVie</PersonRef>; both former band members of <GroupRef>John
Mayall’s Bluesbreakers</GroupRef> along with <PersonRef>Peter</PersonRef>
See <Link URL='http://en.wikipedia.org/wiki/Fleetwood_Mac'/>.
Fleetwood Mac in a <DateRef Value='1977'/> trade
advertisement for the Rumours album: <PersonRef Key='pMickFleetwood'>Mick
Fleetwood</PersonRef>, <PersonRef Key='pChristineMcVie'>Christine
McVie</PersonRef>, <PersonRef Key='pJohnMcVie'>John McVie</PersonRef>,
<PersonRef Key='pStevieNicks'>Stevie Nicks</PersonRef>, <PersonRef
Key='pLindseyBuckingham'>Lindsey Buckingham</PersonRef>.<NoteRef Mode='Endnote'><Text>
Image by Warner Bros. Records (Billboard, page 86, 25 Jun 1977) [Public domain], via Wikimedia Commons.
</Text></NoteRef>
</Text>
</Resource>
<Event Key='eFleetwoodMac'>
<PlaceLnk Key='wLondon'/>
<When Value='1967-08'/>
</Event>
Even with such limited detail, and without any mark-up for
place references, you can still see that the STEMMA representation is heavily
linked. These links demonstrate the use of mark-up for deep
semantics when the target of the reference has a corresponding entity in
the data, and for shallow
semantics in those cases where there is no corresponding entity. For
instance, a reference to Peter Green is to a
performer but we have no corresponding Person entity for him, whereas a
reference to Danny Kirwan can be made
into a live link because we have a Person entity called pDannyKirwan. The
associated mark-up even allows meaning to be attached to elided references,
such as “the band”, “John”, “He”, or “May”. The example also demonstrates a
number of basic STEMMA features such as handling multiple names
(married/maiden, or formal/informal) and extracting dates from an Event entity
using intrinsic methods (see end of Semantic
Mark-up).
OK, such much for the separate Person and Group entities but
what about some narrative content that references several of them? Well, the
source reference in note [3] contains quite a bit of narrative, and I will
demonstrate how a transcription of it can be marked-up in a similar way.
Christine
McVie: In late 1969, I won “female
vocalist of the year” in the Melody Maker poll, and I was coerced to ‘return to
my public’ as a result. I wasn’t keen on giving up my life of leisure as a
housewife, but there again I fancied earning a bit of money independently … so
after an amazing great audition at the Lyceum, I formed my own band and
recorded an album: ‘Christine Perfect’ on Blue Horizon 7-63860. As a solo
career, it was a bit of a desperate effort … in fact, it was a bit of a
disaster — and that’s putting it mildly! So I quit, and returned to life as a
housewife, whereupon I sat around for a few months, while John and the band
were working up a new album and a new stage act, following Peter Green’s departure that May. They were down to a four piece, and just before
the start of a tour, they suddenly felt they needed another instrument to fill
out the sound … and there I was — sitting around doing next to nothing, and
knowing all the songs back to front, because I’d been watching them rehearsing
for the last 3 months.
Bob
Welch was an America, working in an R&B club in Paris. He was
suggested by Judy Wong (later Mrs Glen Cornick).
John
McVie: He came over, sat around, talked and played with us for a bit, and joined. We met Dave Walker on
a tour we did with Savoy Brown; he was their
singer. We thought we’d try having a front-man/vocalist, which we’d never done
before -- but it only, lasted about 8 months. He was living in San Francisco
for a while but then he came back to England, where he formed a band called Hungry Fighter with Danny
Kirwan and Andy Silvester — but
they folded after about 3 gigs. I haven’t a clue where he is now. We had
co-opted Bob Weston from Long John Baldry’s backing band. He was with us
for just over a year and was asked to leave because of a strenuous
disagreement.
Bob
Welch left to form Paris with Glen Cornick and Hunt
Sales.
<Narrative Key='nRecollection'>
<Text><ts>
<PersonRef Key='pChristineMcVie'>Christine McVie</PersonRef>:
In late <DateRef Value='1969'/>, I won “female vocalist of the year” in
the Melody Maker poll, and I was coerced to ‘return to my public’ as a result.
I wasn’t keen on giving up my life of leisure as a housewife, but there again I
fancied earning a bit of money independently … so after an amazing great
audition at the Lyceum, I formed my own band and recorded an album: ‘Christine
Perfect’ on Blue Horizon 7-63860. As a solo career, it was a bit of a desperate
effort … in fact, it was a bit of a disaster — and that’s putting it mildly! So
I quit, and returned to life as a housewife, whereupon I sat around for a few
months, while <PersonRef Key='pJohnMcVie'>John</PersonRef> and <GroupRef
Key='gFleetwoodMac'>the band</GroupRef> were working up a new album
and a new stage act, following <PersonRef>Peter Green</PersonRef>’s
departure that <DateRef Value='1970-05'>May</DateRef>. They were
down to a four piece, and just before the start of a tour, they suddenly felt
they needed another instrument to fill out the sound … and there I was —
sitting around doing next to nothing, and knowing all the songs back to front,
because I’d been watching them rehearsing for the last 3 months.
</ts></Text>
<Text><ts>
<PersonRef Key='pBobWelch'>Bob Welch</PersonRef> was
an America, working in an R&B club in Paris. He was suggested by <PersonRef>Judy
Wong</PersonRef> (later <PersonRef>Mrs Glen Cornick</PersonRef>).
</ts></Text>
<Text><ts>
<PersonRef Key='pJohnMcVie'>John McVie</PersonRef>: <PersonRef
Key='pBobWelch'>He</PersonRef> came over, sat around, talked and
played with us for a bit, and joined. We met <PersonRef
Key='pDaveWalker'>Dave Walker</PersonRef> on a tour we did with <GroupRef>Savoy
Brown</GroupRef>; he was their singer. We thought we’d try having a front-man/vocalist,
which we’d never done before -- but it only, lasted about 8 months. He was
living in San Francisco for a while but then he came back to England, where he
formed a band called <GroupRef>Hungry Fighter</GroupRef> with <PersonRef
Key='pDannyKirwan'>Danny Kirwan</PersonRef> and <PersonRef>Andy
Silvester</PersonRef> — but they folded after about 3 gigs. I haven’t a
clue where he is now. We had co-opted <PersonRef Key='pBobWeston'>Bob
Weston</PersonRef> from <PersonRef>Long John Baldry</PersonRef>’s
backing band. He was with us for just over a year and was asked to leave
because of a strenuous disagreement.
</ts></Text>
<Text><ts>
<PersonRef Key='pBobWelch'>Bob Welch</PersonRef> left
to form <GroupRef>Paris</GroupRef> with <PersonRef>Glen Cornick</PersonRef>
and <PersonRef>Hunt Sales</PersonRef>.
</ts></Text>
</Narrative>
Note that this transcribed narrative is not in a separate
file — it is part of the same STEMMA file, or bundle. The recipient of
such a bundle not only has information on the Events, Persons and Groups, and
their respective linkages, but any number of transcriptions or units of
researcher narrative. Given that a typical genealogical bundle also
incorporates lineage and Places then the recipient has the option to explore
the relationships from many angles, including temporal and geographical.
So, what have we depicted here, and what normal genealogical
concepts were absent? We’ve represented the musicians and the rock bands that
they were members of. We’ve represented the events during which they joined or
left those bands, and indicated their roles within the bands. There are no
lineage connections between the people in this particular example, although dates
and places of birth are given, and the marriage of John McVie to Anne Christine
Perfect in 1969 is indicated via the Event named eMarriage. The lineage of the
performers could be represented but it is not a prerequisite for their musical
histories.
The Persons and Groups have been linked to related Events,
and this would allow a chart (similar to Pete Frame’s or a different style) to
be generated by software from the data. The temporal connections between
Persons and Groups share much in common with those between Persons and Places,
and a similar chart could be used to indicate how a group of people have moved
from place to place over time.
No changes were made to STEMMA in order to create this example.
It is hoped that it demonstrates how STEMMA’s flexibility may be used to
address non-genealogical cases of micro-history.
** Post updated on 19 Apr 2017 to align with the changes in STEMMA V4.1 **
[1] Pete Frame, Rock Family Trees (Omnibus Press, 1993).
[2]Image displayed by kind permission of The Family of Rock:
The official home of Rock Family Trees (http://blog.familyofrock.com/).
[3] Frame, Rock Family Trees, p.13; transcriptions
displayed by kind permission of The Family of Rock: (http://blog.familyofrock.com/).
[4]This is a little ambitious in a mere blog-post. If it
doesn’t work in your browser then it may be that you have disabled JavaScript
on Web pages. It may not work, either, in the email notifications that some of
my subscribers will be getting.
[5]Image by W.W.Thaler - H. Weber, Hildesheim (Own work)
[CC-BY-SA-3.0 (http://creativecommons.org/licenses/by-sa/3.0)], via Wikimedia
Commons.
[7]Image by P metalady [GFDL
(http://www.gnu.org/copyleft/fdl.html) or CC-BY-SA-3.0
(http://creativecommons.org/licenses/by-sa/3.0)], via Wikimedia Commons.
[8]Image by Arsconcilium (Own work) [Public domain], via
Wikimedia Commons.
[9]Image by Warner Bros. Records (Billboard, page 85, 14 May
1977) [Public domain], via Wikimedia Commons.
[10]Image by W.W.Thaler - H. Weber, Hildesheim (Own work)
[CC-BY-SA-3.0 (http://creativecommons.org/licenses/by-sa/3.0)], via Wikimedia
Commons.
[11]Image by Joe Bielawa (Flickr) [CC-BY-1.0
(http://creativecommons.org/licenses/by/1.0) or CC-BY-2.0
(http://creativecommons.org/licenses/by/2.0)], via Wikimedia Commons.
[12]Image by User:SandyMac [Public domain], via Wikimedia
Commons.
[13]Image by Tony Hisgett from Birmingham, UK (Lindsey
Buckingham Uploaded by tm) [CC-BY-2.0 (http://creativecommons.org/licenses/by/2.0)],
via Wikimedia Commons.
[14]Image by Warner Bros. Records (Billboard, page 86, 25 Jun
1977) [Public domain], via Wikimedia Commons.
This is fascinating. I've been trying to figure out how to store information about band relationships with a view to automatically drawing Rock Family Trees. See my (far less advanced) efforts here: http://matthewpetty.com/2019/07/rock-family-tree-auto-generation/
My idea is to generate a whole fake music "scene" with labels, bands, members etc, as an art project and programming exercise.
Actually drawing the tree is not too difficult, as long as you remember that it is not a proper tree (in the family history sense). See terminology explained in https://parallax-viewpoint.blogspot.com/2020/03/a-tree-by-any-other-name-would-smell-as.html
Part of the value would be in incorporating narrative-- as this small example has done -- and using mark-up to link references to people and groups back to their representation in the tree.
This is fascinating. I've been trying to figure out how to store information about band relationships with a view to automatically drawing Rock Family Trees. See my (far less advanced) efforts here: http://matthewpetty.com/2019/07/rock-family-tree-auto-generation/
ReplyDeleteMy idea is to generate a whole fake music "scene" with labels, bands, members etc, as an art project and programming exercise.
Actually drawing the tree is not too difficult, as long as you remember that it is not a proper tree (in the family history sense). See terminology explained in https://parallax-viewpoint.blogspot.com/2020/03/a-tree-by-any-other-name-would-smell-as.html
DeletePart of the value would be in incorporating narrative-- as this small example has done -- and using mark-up to link references to people and groups back to their representation in the tree.